Thursday, February 29, 2024

"We'll Always Have Casablanca" by Noah Isenberg

I really love learning about the creative process.  Whether it is how someone writes and edits their book, how movies are made, how songs get written -- it all fascinates me.  Especially if I am familiar with the creative work in question.  So about 3/4 of this book absolutely fascinated me.  Isenberg has meticulously put together a behind-the-scenes look at how Casablanca (1942) came to be, from the writing of the stage play Everybody Comes to Rick's through the post-production editing and scoring for the film.  

I think the coolest thing I learned from this book was that almost everyone involved, aside from Humphrey Bogart and a handful of other actors and crewmembers, were actually pretty recent immigrants to Hollywood from Europe.  Many of them experienced the kind of refugee situation that is shown in the film, waiting desperately for an exit visa and hoping against hope to make it safely out of Europe before the Nazis completely overwhelmed everything and everyone.  That is going to make this film extra poignant the next time I watch it.  I had realized that, obviously, Ingrid Bergman and Paul Henreid and Peter Lorre were European and had probably come to Hollywood in part to escape the Nazi threat.  But even director Michael Curtiz was originally Hungarian, and the actors playing the Nazis in the film were mostly native Germans who had fled Germany.  Making this pro-freedom film must have been so immensely satisfying for so many involved, and yet heartbreakingly real, too.

The last couple chapters are about how the movie has influenced Hollywood and society, and I mainly skimmed those.

Anyway, if you like learning about how movies get made, this is a cool book.  For adults.

If This was a Movie, I Would Rate It: R for discussions of sexual topics, mainly things that couldn't be shown in the film, but also sections from fairly explicit sequels that have been written over the years by people who want to fill in the things the movie only hints at or leaves open to interpretation.  You can skim those bits, but they aren't always easy to spot coming.

4 comments:

  1. Casablanca is one of my favourite movies!

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  2. That's really interesting about the refugee / immigration status of the actors and creative team.

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    1. Katie, YES! I want to rewatch it now, knowing that, because I think it will make the movie even more powerful. Some of the people who made the film had family members still stuck in places like Casablanca, waiting to get out, and there are stories in this book about people breaking down in tears during the filming because it hit so close to home. And of how powerfully it affected audiences, too.

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