The first time I read Persuasion, I liked it better than the other three Austen books I'd read at that time. That was more than a decade ago, and this is the first time I've reread it. The question I now face is: why did I like it better than Pride and Prejudice, Sense and Sensibility, and Emma? It could be because I first read Persuasion while I was on my big Horatio Hornblower kick, and this book is full of naval officers. It could be because this was the first Austen book I read after going to college, and I was just more ready for this level of writing. It could even be because it's considerably shorter than the other three I'd read.
I think, in the end, that the reason I liked it best is that I identify more with this book's heroine, Anne Elliot, more than any of the others'. I'm not as witty or bold as Elizabeth Bennett. I'm not as unfailingly honorable as Elinor Dashwood (though I do see a lot of myself in her as well). I'm not as inquisitive or self-fascinated (I hope) as Emma Woodhouse. Like Anne Elliot, in my opinion, I am quiet, reserved, and loyal. And that's probably why I still like this book a great deal, though now I think I might like Pride and Prejudice equally as well.
In case you're not up on your Austen, this is the one where Anne Elliott meets up with the man she was once engaged to, Captain Frederick Wentworth. Eight years previous, she had been persuaded to break off their engagement, and had regretted that ever since. Neither of them had ever fallen in love again, and this book charts the rekindling of their romance as they slowly ascertain each others' feelings and whether things could ever again be as they once were.
I do wish that this book lasted a little longer, as the very end seems a bit rushed. The discussion between Capt. Wentworth and Anne is described, not written out as dialog, and I've always wondered if Jane Austen meant to flesh that part out more, but then was unable to. Persuasion was published posthumously, so you never know.
(Originally posted on Hamlette's Soliloquy on Jul. 1, 2012.)
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Monday, October 29, 2012
"Pirate King" by Laurie R. King

Pirate King is the latest in a series of mysteries set in the early 20th century and starring a detective named Mary Russell and her husband. You may have heard of her husband — his name is Sherlock Holmes.
I’ve been a Holmes fan since I was thirteen, and I’ve read a lot of “non-canon” stories about him (written by someone other than Sir Arthur Conan Doyle), but none of them have presented the famous detective in all his complex allurement like these books by Laurie R. King. But unlike those other stories, these books don’t center on Sherlock Holmes — they center on his wife, Mary Russell. And before you throw arguments at me about Holmes being a lifelong bachelor, or a misogynist, or about Irene Adler being the only woman for him, let me assure you that these books deal with all those issues. Quite convincingly.
But anyway, I’d better tell you what this particular book is about instead of nattering on about the series as a whole. Pirate King finds Mary Russell going undercover as an assistant for a silent film production of a movie that shares the book’s title. Scotland Yard thinks someone in the film company is selling guns and drugs, and they want Russell to find out who. Things sail merrily along until the entire film crew gets kidnapped by pirates.
While Sherlock Holmes in absent from the first half of the book, he makes a welcome addition eventually. This is a bit of a departure from the usual tone of the series, being rather lighter than some of the more recent books, but it still has plenty of suspense and plot twists to keep a reader guessing. It’s also chock full of the period and location details Ms. King excels at, as well as lots of wonderful descriptions of making silent movies and traveling aboard a sailing ship.
If you’ve never read any of this series, but love either Sherlock Holmes or just mysteries set in the not-too-distant past, I highly recommend these books. Start with The Beekeeper’s Apprentice and see what you think. Ms. King also has written a series about a modern-day detective, and several stand-alone novels, but I vastly prefer this series. In fact, it’s my favorite series by a living author!
The next Russell/Holmes adventure is due out later in 2012. Woo!
(Originally posted on Novel Book Ratingson Jun 15, 2012.)
"Pride and Prejudice" by Jane Austen
Last summer, I bought a journal with Jane Austen quotes sprinkled throughout it. It put me in such a mood to re-read Austen's novels that I went and bought a box set of all her completed novels. In paperback, but they're trade paperbacks, not pocket ones, so good enough. And then I never managed to start reading them. But when I read P.D. James' Death Comes to Pemberley this year, I knew The Time Had Come to start my journey through Austenland.
I began with Pride and Prejudice. Seemed logical, since I wanted to compare it to James' mystery. I'd only read it once before, I think while I was in college and in love with the movie You've Got Mail, which references it. I wasn't a big fan, and for years my favorite Austen novel had been Persuasion. When I was in college, I watched the British version of P&P starring Colin Firth, and I did like the Keira Knightley/Matthew Macfadyen version pretty well, as I mentioned here and here a few years ago. But I didn't particularly love the story.
What was wrong with me?
In case you're not up on your Austen, this is the one where Elizabeth Bennet spends most of the book disliking Mr. Darcy because she finds him proud and cold. Mr. Darcy spends most of the book trying to convince himself he shouldn't love Lizzy because her family is unsuitable.
What can I say about this book that hasn't already been said a hundred times, and said better than I ever can? Not much. I'm amazed by Austen's ability to make ordinary people so compelling. I so admire her grasp of how details and small events build up to bring about important changes in hearts, minds, and lives. And I'm intrigued by her ability to allow a book's events unfold slowly and yet keep me enthralled.
Also, I'm totally in love with Mr. Darcy now. Just FYI.
(Originally posted on Hamlette's Soliloquy on Jun 14, 2012.)
"Vanishing Act" by Thomas Perry

I completely loved Thomas Perry's story in A Study in Sherlock, so I decided to try out his books. The first one I've read is Vanishing Act, the first in a series about a Native American named Jane Whitefield. Jane is a guide, but not the kind that takes you hunting for big game or leads you on a tour through a historic site. She guides people who are looking to leave their current self behind and become someone new.
The plot centers around an ex-cop named John Felker, who has been accused of embezzling and set up to take the fall for some unknown scheme. Jane helps him escape his pursuers and assume a new identity, just like she’s done for many other unfortunate people, from victims of abuse to targets of Mob violence. This time around, she also forms a relationship with the person she guides, something she has never done before.
But once Jane returns home, things begin to unravel. Felker was not at all who he seemed, and he has twisted Jane’s help to his own purposes, killing people she cares about in the process. Jane transforms from Guide to Hunter, stalking Felker into the wilderness to extract vengeance for his treachery and murders.
I found Vanishing Act to be a satisfying read on many levels. The characters are complex and believable, and I loved how Jane’s Native American heritage played an integral part of the story. I’ve long been fascinated by the culture and history of American Indians, and my favorite parts of this book were the places where Jane was most connected to her Seneca roots. I hope to read the next book in this series soon.
If you enjoy reading mysteries or thrillers because you like to see justice served, wrongs righted, and good triumphing over evil, you won’t be disappointed. But because Jane is not a law enforcement professional, the story does raise some questions about vigilante justice and revenge that I wish the author would have addressed.
"Death Comes to Pemberley" by P. D. James
I had such hopes for this book. I've read a couple things by P.D. James before, and they were thoroughly enjoyable. Her nonfiction book, Talking About Detective Fiction, is a lovely history of the genre, and introduced me to several authors I now like quite a lot. I also really liked her mystery An Unsuitable Job for a Woman. Since I'm an Austen fan, I was hoping this smash-up of Pride and Prejudice and mysteries would be great fun. And at first, I was not disappointed.Death Comes to Pemberley begins promisingly with a prologue about the Bennets of Longbourn, recounting in a thoroughly amusing style the events of the original book, then going on to recount what happened once Lizzy and Darcy (and Jane and Bingley) married. I laughed aloud with delight several times during the prologue. It's quite amusing and well worth reading.
Unfortunately, the rest of the book isn't. It's not amusing and has two glaring flaws that kept me from enjoying it much. Such a disappointment!
The plot involves the murder of Mr. Wickham's particular friend and fellow soldier, Denny. I won't go into details in case you decide to read this yourself (and I'm not saying you shouldn't -- this isn't a bad book, I just didn't care for it myself). No one witnesses the murder, but Wickham is suspected of it, and Darcy is left in the unhappy position of trying to defend this man he loathes from getting hanged for murder and disgracing the whole family.
So far, that doesn't sound bad, right? And it's not. It's just not particularly good, either, thanks to the two flaws I mentioned. First, we have to read the description of Darcy and his friends finding Wickham crouching over Denny's body too many times. Twice would have been plenty -- once when it occurred, and then once when they had to recount the experience to the authorities. Instead, they also discuss it amongst themselves, describe it several other times, and then tell it all over again at the trail. By the time we got to the trial, I was so thoroughly tired of reading about it, I skipped quite a few paragraphs.
The second flaw is that the main characters, Darcy in particular, play far too passive a role. Clues fall into their hands instead of being discovered or deduced. The identity of the actual murderer is revealed in a letter. A solution of what to do with Wickham and Lydia so they go away and stop bothering everyone is presented by a stranger. In Pride and Prejudice, Darcy and Lizzy are not passive! They are both actively trying to dislike each other as much as possible, until they discover they can't dislike each other, and then they actively go about trying to get together.
The best I can say for this book is that it prompted me to pull out Pride and Prejudice and reread it. More about that soon...
(Originally posted on Hamlette's Soliloquy on May 11, 2012.)
Thursday, October 18, 2012
"For Whom the Bell Tolls" by Ernest Hemingway
I've been a fan of Ernest Hemingway's writing for a decade now -- I actually first decided to read something by him because I went through a phase where I loved the movie City of Angels (1998). Nicolas Cage's character recommends Hemingway to Meg Ryan's character because of how well he writes about food, and leaves A Moveable Feast on her nightstand. The library didn't have that book, but they had The Sun Also Rises, and I picked that one because of the quote from Ecclesiastes at the beginning. Ecclesiastes just happens to be one of my favorite books of the Bible, you see. Anyway, I liked Hemingway's economical writing, and over the years, I've read all his short stories and several of his other novels. But I'd never read For Whom the Bell Tolls, which is my brother's favorite Hemingway book (mine so far is A Moveable Feast). So I decided it was high time to read it.So I read it. But I didn't like it much. (Sorry, bro!) In fact, I'd have to say it is my second-least-favorite Hemingway work. (My least favorite is the unfinished Garden of Eden.)
It was just so bleak! Unmitigatedly bleak. There's an old joke I read in a Reader's Digest years ago about how different famous authors would answer the question of "Why did the chicken cross the road?" I don't remember any of them anymore except the one for Hemingway, which was: "To die. In the rain. Alone." And I always kind of laughed about that, because for me, most of Hemingway isn't all that depressing. Sure, a lot of his stories end sadly, in a sort of inevitable way, but none of the other things I've read by him have pounded Sadness! Despair! Pointless Death! into the ground like this does.
If you have no idea what it's about, here's a quick recap: An American volunteer named Robert Jordan, a volunteer in the Spanish republican army during the Spanish Civil War, gets sent to join this guerrilla band and blow up a bridge with their help. He falls in love with a young girl named Maria, who was orphaned and raped by the opposing forces earlier in the war. All the characters spend the whole time talking about how doomed the mission is and how they're all going to die. And then most of them do die. And not in a glorious, cathartic, serves-some-greater-purpose way like all the characters in Hamlet dying at the end. Just in a bleak, pointless, inevitable-yet-preventable way.
Obviously, the point is that war is pointless and bleak and horrid. I get that. I just don't like the book. Like I said the other day, I have to want to be friends with at least one character in a book (or movie, or TV show) to like it, and I didn't really want to be friends with anyone in this book. I liked Pilar okay, the other female character, but not that much either. So I spend the last half of the book thinking, "Oh, man, will this ever end? I'm so tired of reading this!" Because it was Hemingway, I did at least enjoy the writing, but not enough to make me like the book.
(Originally posted on Hamlette's Soliloquy on Apr. 13, 2012.)
"Bloodlines" and "Goodnight, Irene" by Jan Burke
As I mentioned earlier, reading A Study in Sherlock inspired me to try out some new mystery authors. I started with Jan Burke. Our local library has several of her books, but not the first one in her series about Irene Kelly, so I just grabbed the one with the most interesting title. It was Bloodlines.
Bloodlines is the sort of sprawling, nuanced, intricately rambling treat I don't usually find when I read mysteries. By the time I was fifty pages into it, I was firm friends with the two main characters of the first section, young Connor O'Connor and his mentor, newspaperman Jack Corrigan. I need to blog about how important it is for me to become friends with characters sometime, but for now I'll just assure you that it's important. And the faster I make friends, the better I generally like the book. I love this book. It takes place over five different decades, and about halfway through I realized it was kind of tying together several events in other books in the series. Characters I grew to love would abruptly die off-page. I grew to love other characters in their places. The giant, seemingly rambly narrative came into focus, then charged ahead full-steam suddenly, then tied up in a most satisfactory -- but deliciously unexpected -- way. Complete love!
It concerned a bunch of characters who died and disappeared in the 1950s in a way that made me think of Frank Miller's Sin City graphic novels. Also, there's a kidnapping. And then nothing whatsoever happens with the case for decades, until someone unexpectedly unearths some new clues.... By the end, I was a confirmed Jan Burke fan and hungry for more.
So I got Goodnight, Irene, the first book in this series. And it was quite good too, with a lovely love story and a complicated plot. I didn't love it as much as Bloodlines, but that's okay, because it was a much earlier novel, and now I know that they improve as they go along, rather than unimproving or staying the same. In this one, Irene Kelly's best friend gets blown up, and she helps solve the murder while doing some nice journalistic work as well. Did I mention Irene Kelly is a newspaper reporter too? Anyway, a perfectly good mystery, if not as delightful as Bloodlines. Can't wait to read more!
(Originally posted on Hamlette's Soliloquy on Apr. 11, 2012.)
Bloodlines is the sort of sprawling, nuanced, intricately rambling treat I don't usually find when I read mysteries. By the time I was fifty pages into it, I was firm friends with the two main characters of the first section, young Connor O'Connor and his mentor, newspaperman Jack Corrigan. I need to blog about how important it is for me to become friends with characters sometime, but for now I'll just assure you that it's important. And the faster I make friends, the better I generally like the book. I love this book. It takes place over five different decades, and about halfway through I realized it was kind of tying together several events in other books in the series. Characters I grew to love would abruptly die off-page. I grew to love other characters in their places. The giant, seemingly rambly narrative came into focus, then charged ahead full-steam suddenly, then tied up in a most satisfactory -- but deliciously unexpected -- way. Complete love! It concerned a bunch of characters who died and disappeared in the 1950s in a way that made me think of Frank Miller's Sin City graphic novels. Also, there's a kidnapping. And then nothing whatsoever happens with the case for decades, until someone unexpectedly unearths some new clues.... By the end, I was a confirmed Jan Burke fan and hungry for more.
So I got Goodnight, Irene, the first book in this series. And it was quite good too, with a lovely love story and a complicated plot. I didn't love it as much as Bloodlines, but that's okay, because it was a much earlier novel, and now I know that they improve as they go along, rather than unimproving or staying the same. In this one, Irene Kelly's best friend gets blown up, and she helps solve the murder while doing some nice journalistic work as well. Did I mention Irene Kelly is a newspaper reporter too? Anyway, a perfectly good mystery, if not as delightful as Bloodlines. Can't wait to read more!
(Originally posted on Hamlette's Soliloquy on Apr. 11, 2012.)
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