I picked this up at the library on an absolute whim, and it ended up being exactly the book I needed to read last week.
The Gatsby Gambit is kind of an alternate universe retelling of The Great Gatsby by F. Scott Fitzgerald. In this world, Jay Gatsby has a kid sister and is friends with Tom and Daisy Buchanan. The kind of friends that are randomly staying at his mansion for a few weeks in the summer while their own mansion across the water is having some renovations done.
Jay, the Buchanans, Nick Carraway, and Jordan Baker all come across is slightly nicer versions of themselves from Fitzgerald's book. Daisy and Jordan have the ability to be kind if they want to. Jay is a little less aloof and a little less unbelievable... and it feels comfortable to call him 'Jay' and not 'Gatsby.' I'm not sure if that makes sense, but I can't figure out another way to say it. I think of this Jay Gatsby as Jay, and I think of the original Jay Gatsby as Gatsby. Nick Carraway is very similar to his original self, though maybe a bit more patient. And Tom Buchanan is... still a lout. Still a womanizer. Still a self-satisfied snob.
As for Jay's little sister Greta Gatsby, she is a delight from beginning to end. She's all finished with finishing schools at last and ready to step out into the adult world, only she discovers that having been screened and sheltered from the adult world maybe wasn't so entirely bad after all. Because the adults in her world are not always up to good things. Sometimes, the ones she loves most are behaving very badly indeed, and she had just been unaware. And others might have the kinds of dark secrets in their past that come to light violently and permanently.
All in all, this is a stylish and smart murder mystery tangled up in a coming-of-age story, Roaring Twenties-style. The historical details were fabulous, the characters were sharply believable, and the book never felt like it was capitalizing on the fame of a classic so much as exploring a "what if?" in a natural and fun way. It explores issues of the day such as classism, ableism, and sexism without pouring too much of our modern mores into the mix, and also deftly scrutinizes cruelty, infidelity, family, and romance.
Particularly Good Bits:
Sometimes she felt--oh, it was such a tricky thing to put into words!--this suspicion that the world was not quite the world she read about. That she was still being... protected from things. Not by Jay exactly, not by anyone in particular, but by some invisible, insidious buffer (p. 30).
Ladies, certainly, were not supposed to question things. Ladylike meant gracious, and gracious meant accepting (p. 85).
"She wanted everyone to think she was happy; she wanted to look happy. That was something she knew how to do much better than actually being happy. Poor old Daise has been told how to look and what to feel for so long, I think sometimes she hardly knows how to locate a feeling of her own" (p. 96).
"I never wanted to marry a romantic. They're dangerous. They fall out of love with you the minute you turn out to be human, and then they blame you for being a disappointment" (p. 15).
If This was a Movie, I Would Rate It: PG-16 for a lot of veiled discussion of adultery and sexual activity, some period-appropriate bad language here and there, murder, and one person's memory of something violent happening in the past.
