"Murder at King's Crossing" by Andrea Penrose

It's been a little while since I read a Wrexford and Sloane Mystery -- in fact, two new books in the series have been released since I read Murder at the Merton Library in the summer of 2024.  Happily, I was able to slip right back into their world and revel in being with this quirky and eclectic cast of characters who have become my imaginary friends.  And I have another to look forward to!

I love how Penrose brings Regency England to life.  These books almost feel like Georgette Heyer could have written them sometimes -- lots of witticisms, wonderfully atmospheric details, and unconventional romances, but with clever murder mysteries mixed in too.  And I also love how she weaves real scientific discoveries and inventions into all the books -- I feel like I'm learning a bit of the history of science along the way.

But it's my fondness for the Earl of Wrexford and Charlotte Sloane and their motley found family that keeps me returning to the series over and over.  I have started collecting the paperback editions as they get released because I know I will want to reread the series in the future, and I can no longer trust my local library system to just keep good books on their shelves.

This mystery centers around missing plans for a way to make longer, stronger bridges that may have been stolen by Napoleonic supporters hoping to bring the former French emperor back from exile.  Don't want to say more than that so I don't spoil it!

Particularly Good Bits:

"Indeed, the union of kindred hearts and minds makes each person even stronger" (p. 47).

"It is nice to be reminded that there is beauty in this world that cannot be diminished by the evil that lurks in the human heart" (p. 50).

If This was a Movie, I Would Rate It: PG-13 for murder, attempted murder, some mild cussing, and veiled allusions to wedding nights and newlywed activities.

"The Adventures of Elizabeth in Ruegen" by Elizabeth von Arnim

This is the third and final "Elizabeth" book from which Elizabeth von Arnim took her pen name.  I love Elizabeth and her German Garden the most, and then I think I like the sequels The Solitary Summer and The Adventures of Elizabeth in Rügen about equally -- not quite so well as the first book, but it was still lots and lots of fun!

Elizabeth decides she wants to take a little vacation by herself to the quaint and charming island of Rügen in the Baltic Sea.  She would like to walk all the way around the island, but none of her friends are willing to undertake walking all the way around a fairly large island, and her husband says that wouldn't be practical OR proper, so instead, she takes a cart and driver and her faithful maidservant Gertrud and determines to drive all the way around the island.

Like in the previous two books, people and circumstances conspire to prevent her from wholly and completely accomplishing her goal.  Elizabeth perseveres.  She sometimes loses her natural good spirits just a little, but recovers them before long.  And her writing made me laugh aloud repeatedly, just as I hoped it would.

I liked the first part best, when it's just Elizabeth and Gertrud and the driver, and the only things that spoil Elizabeth's plans are things like hotels having no vacancies.  Once she met up with her odd cousin Charlotte, things turned almost a little screwball here and there, with the mishaps and misunderstandings piling up a bit too quickly for my taste.  Also, there were a lot fewer passages describing and appreciating the beauty of the world around her, which are something I absolutely love in von Arnim's books.

Overall, I'll totally read it again, but not as often as Elizabeth and Her German Garden.

Particularly Good Bits:

If you go to a place on anything but your own feet you are taken there too fast, and miss a thousand delicate joys that were waiting for you by the wayside (p. 3).

Admirable virtue of silence, most precious, because most rare, jewel in the crown of female excellences (p. 5).

Every instant of happiness is a priceless possession for ever (p. 20).

As soon as there are no trains to catch a journey becomes magnificently simple (p. 35).

Why not take the beauty and be grateful? (p. 36).

What had I been doing with my life?  Looking back into it in search of an answer it seemed very spacious, and sunny, and quiet.  There were children in it, and there was a garden, and a spouse in whose eyes I was precious; but I had not done anything.  And if I could point to no pamphlets or lectures, neither need I point to a furrow between my eyebrows (p. 42).

You need not, after all, let your vision be blocked entirely by the person with whom you chance to live; however vast his intellectual bulk may be, you can look round him and see that the stars and the sky are still there, and you need not run away from him to do that (p. 44).

I know no surer way of shaking off the dreary crust formed about the soul by the trying to do one's duty or the patient enduring of having somebody else's duty done to one, than going out alone, either at the bright beginning of the day, when the earth is still unsoiled by the feet of the strenuous and only God is abroad; or in the evening, when the hush has come, out to the blessed stars, and looking up at them wonder at the meanness of the day just pat, at the worthlessness of the things one has struggled for, at the folly of having been so angry, and so restless, and so much afraid.  Nothing focusses life more exactly than a little while alone at night with the stars (p. 59).

...the forest was so exquisite that way, the afternoon so serene, so mellow with lovely light, that I could not look round me without being happy. Oh blessed state, when mere quiet weather, trees and grass, sea and clouds, can make you forget that life has anything in it but rapture, can make you drink in heaven with every breath!  How long will it last, this joy of living, this splendid ecstasy of the soul?  I am more afraid of losing this, of losing even a little of this, of having so much as the edge of its radiance dimmed, than of parting with any other earthly possession.  And I think of Wordsworth, its divine singer, who yet lost it so soon and could no longer see the splendour in the grass, the glory in in the flower, and I ask myself with a sinking heart if it faded so quickly for him who saw it and sang it by God's grace to such perfection, how long, oh how long does the common soul, half blind, half dead, half dumb, keep its little, precious share? (p. 72).

How good it is to look sometimes across great spaces, to lift one's eyes from narrowness, to feel the large silence that rests on lonely hills!  Motionless we stood before this sudden unrolling of the beauty of God's earth.  The place seemed full of a serene and mighty Presence (p. 109).

If This was a Movie, I Would Rate It: PG.  Completely clean in every way.

This is my 43rd book read and reviewed for my fourth Classics Club list.

"Comets Fade with Summer" by Amber Lambda

I didn't know quite what to expect from this book.  A teenage girl is falling in love with her imaginary best friend?  What?  I got it as a gift from a friend who was confident I would like it, and they were right!  I did.

Halley has to move to California right before she starts the next year of high school.  She'd worked so hard to fit in with the coolest girls in her old high school, and now she has to start all over... but how?  She's not actually cool herself, she's just really good at blending in and pretending she likes all the things the cool kids do.

Someone unexpected greets Halley when she gets to her new home: West, her childhood imaginary friend.  He's sixteen now too, and a compelling mixture of sweet, kind, supportive, and hot.  How is Halley supposed to resist West?  Too bad he only exists in her imagination, even if he seems extremely real to her.

This whole book reminded me a lot of a line from the 1995 movie Sabrina:  "Illusions are dangerous people.  They have no flaws."  West is everything Halley wants... because she made him up.  His only flaw is that he doesn't really exist, and he'll slowly fade when Halley makes some real friends.

The message in this book is really good: don't hide who you are in order to attract friends or significant others.  The middle section of it started to drag for me after a while, as Halley made unfortunate choice after unfortunate choice, but the pacing picked back up again at the end.

The last two chapters had me crying so much, I went through several Kleenex.  I had some very dear imaginary friends when I was a kid and a teen, and I brought a couple of them with me into adulthood.  (But I never fell in love with any of them, whew.)  The thought of having no choice about whether or not I could keep them was pretty devastating, so probably a lot of readers wouldn't be bawling like I was.

Particularly Good Bits: 

"Isn't it better to stick to the people and the things that make you shine brighter?  You don't have to fade away to find a place to fit in, Halley" (p. 29).

If This was a Movie, I Would Rate It:  PG-13 for scenes with teenage boys making girls feel uncomfortable, lightly described kissing, mention of teen make-out sessions, and a LOT of physical attraction to the opposite sex.  It is maybe a little more romantic than I would let my teen daughters read just yet, and they are 13 and 15.

"Shadows of the Valley" by Britt Howard

I have been looking forward to this book for months and months!  I very much enjoyed the first McCade Family Novel, Song of the Valley, when I read that a couple of years ago, but I liked Shadows of the Valley even more!

This is a suspenseful story with a modern western setting and a slow-burn romance. Kasey Carter is a retired military veteran who has suffered severe wounds, both physical, emotional, and spiritual.  When her younger half-sister begs Kasey to hide and protect her children for a while, Kasey agrees, but reluctantly.  She ends up guarding them in a remote cabin in the Montana mountains near the small town of Cascade Valley.  There, she encounters Dean McCade, a local rancher who senses she's guarding more than a few secrets and tries repeatedly to help her. 

This book is a lot more serious than the first book in Britt Howard's McCade Family series, but it features the same beautiful scenery, courageous and compassionate McCade family members, and a message that real answers and truth can be found only in Christ Jesus.  

If This was a Movie, I Would Rate It: PG-13 for mentions of spousal abuse, memories of military violence and trauma, small children being put in danger, and some violence on-page.  No cussing, no smut, and no gore.

"Of Clockworks and Daggers" by Sarah Everest

This is the second book in the Games of Greed and Ruin series -- the first was One Must Die, which Sarah Everest co-wrote with five other authors.

Of Clockworks and Daggers follows the adventures of Zenith, a young assassin-for-hire whose beliefs about his entire existence are challenged when he meets a mysterious fellow assassin who has a dangerous offer for him.  Zenith has been trying to live an honest life ever since the events at the mysterious sky mansion in One Must Die.  He's also been trying to help support the orphanage run the Jessie, the young woman he is falling in love with.  But he gets sucked back into his old life, and more is jeopardized than just his relationship with Jessie. 

This book ponders some pretty deep issues, like being the adult child of abusive parents, how to deal with the wrong in your past when you want to change for the better, and personal sacrifices big and small. It starts a little slowly, but builds to a really thrilling climax.

I really like the steampunk world of this series, a sort of Dickens-meets-H.G. Wells vibe with some fantasy twists here and there.  I'm looking forward to more of this series, including the next book, which drops in October!  

Particularly Good Bits:

Something about the pretentiousness of lawyers who live a life bending the law to fit the needs of their benefactors makes them believe they're untouchable.

If This was a Movie, I Would Rate It:  PG for some violence, memories of child abuse, thieving, and a scary sequence involving fire.

"Deep in the Heart" by Gilbert Morris

I picked up this book and its two sequels on a whim at a used bookstore a couple months ago.  I can remember my mom reading Gilbert Morris books when I was a teen, but I hadn't read him before.  

On a whole, I liked this first book in the Lone Star Legacy trilogy pretty well. I loved Clay and I liked Jerusalem Ann.  I liked most of the characters, actually.  And the history of Texas always fascinates me.  Though that ended up getting in my way a bit here.

Morris sets this during the time leading up to the Texas Revolution in the 1830s, and he has a whole lot of scenes where real-life people like Colonel Travis and Jim Bowie discuss why they are trying to separate Texas from Mexico.  Scenes that really have nothing to do with the book's characters.  They're just there to explain things.  It wasn't necessarily a bad way to explain Texan history... but it also made the actual story come to a screeching halt every now and then, especially in the last third of the book.  And, you know... if I, who love Old West history, got increasingly annoyed by having history lessons inserted that way, I am betting most readers were downright vexed.  

I can see what Morris was trying to do, but it would have been way more effective and enjoyable to have the book's main characters themselves discuss these things!

So, that left me feeling like this is a four-star read.  I'll try the next book, which I suspect won't have that issue so much because the Texas Revolution should be over pretty early in the book.  We'll see.

Particularly Good Bits:

"I wish things would go wrong one at a time, but they never do" (p. 214).

"I found out one thing after all these years.  And that's never to run away from problems.  As sure as you do, a worse one will meet you" (p. 350).

If This was a Movie, I Would Rate It: PG-13 for allusions to men consorting with prostitutes, drunkenness, a family with illegitimate children, women worrying about being captured by Native Americans and assaulted, and scenes of frontier violence.

"The Summer of Yes" by Courtney Walsh

While I wouldn't really call this "Christian Fiction" (though it is marketed as such), it's certainly clean and uplifting.  Characters do vaguely mention the Bible and praying a couple of times.  But for it to be Christian Fiction, I would want to see a lot more active faith on the part of the characters, and that should somehow be involved in their character arcs.

However, it's a really fun book the way it is. Kelsey is a wannabe book editor working as an assistant at a big NYC publisher, and getting hit by a car one morning completely changes her life.  Not because she is injured -- she's basically fine -- but because she briefly shares a hospital room with Georgina, a middle-aged Girl Boss who just wants to be left alone to die of kidney failure in peace.  But Kelsey is bad at accepting "no" for an answer, and a buddy comedy ensues.  The kind where the main characters don't like each other very well (think Lethal Weapon, with Danny Glover as Georgina and Mel Gibson as Kelsey) but end up bonding over a lot of mishaps that the audience finds very funny.  

Also, there's a romance, because Georgina's estranged son is hot, and Kelsey is cute, and this is a cute summer book.  But the main focus is the reluctant friendship between Kelsey and Georgina. 

I didn't love this book, but I enjoyed it a lot and will be hanging onto my copy.

Particularly Good Bits:

My life rolls out in front of me like an art film that nobody understands (p. 14).

Independent doesn't have to mean alone, right? (p. 34).

She's practically bouncing up and down, wearing her excitement like a fancy new party dress (p. 85).

But then it occurs to me that where one lives so often determines how one lives (p. 157).

"If you learn nothing else from my life, learn this.  Don't wait to love the people you love" (p. 363).

If This was a Movie, I Would Rate It: PG for discussions of dying, kidney dialysis, the car accident and resulting injuries, etc.  No cussing or smut or violence.