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Friday, November 3, 2023

"The Woman in White" by Wilkie Collins

I have put off writing this review for almost two weeks now.  Which, I suppose, tells you a lot right there, doesn't it.

I really enjoyed The Moonstone when I read that a couple years ago.  And I've read some short stories by Wilkie Collins that were fun, so I expected to enjoy The Woman in White too.  I wanted to enjoy it.  I tried to enjoy it.

But oh my goodness, did I ever have to push my way through this book.  I did want to know how it all ended, so I kept with it, but it was a struggle.  Mostly because I did not particularly like any of the characters.  They weren't people I'd want to hang out with in real life, so I didn't want to hang out with them in their fictional world.

I am glad I finished the book, but it's not one I'll reread.  Too much slogging for too little payoff.

The basic plot is that a young man encounters a strange woman dressed all in white one night on the outskirts of London.  She is on the run from someone, she gives him some dire warnings, and she disappears.  The young man takes a new job as a private art tutor for a young lady at her family's country estate, and it turns out that the woman in white was someone this young lady used to know.  And then people fall in love, and there's an arranged marriage to mess everything up, and everyone is super unhappy for most of the book.  And, by the end, they are only kinda sorta on the way to maybe one day being less unhappy, which was just not fun, y'all.

Particularly Good Bits:  

The days passed on, the weeks passed on; and the track of the golden autumn wound its bright way visibly through the green summer of the trees (p. 54).

If only I had the privileges of a man, I would order out Sir Percival's best horse instantly, and tear away on a night-gallop, eastward, to meet the rising sun -- a long, hard, heavy, ceaseless gallop of hours and hours, like the famous highwayman's ride to York.  Being, however, nothing but a woman, condemned to patience, propriety, and petticoats, for life, I must respect the housekeeper's opinions, and try to compose myself in some feeble and feminine way (p. 164).

Any woman who is sure of her own wits, is a match, at any time, for a man who is not sure of his own temper (p. 256).

If This was a Movie, I Would Rate It:  PG for spousal abuse, both verbal and emotional.  



This is my 21st book read and reviewed for my fourth Classics Club list, my 53rd for #TheUnreadShelfProjec2023, and my third read and reviewed for #AMonthOfMystery this year.

4 comments:

  1. I remember trying to get through this twenty years ago (after watching the old BBC version), but it's just... meh. And the two miniseries/movies based on it is also meh.

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    1. Charity, I comfort myself with the knowledge that a lot of people find this one boring. Thanks for the info that the movies aren't really worth it either!

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  2. I love Wilkie Collins, but it is because of The Moonstone and No Name, both of which I enjoyed infinitely more than The Woman in White. Meh is a good word for it. Glad you read The Moonstone first, so this one wouldn’t deter you from reading what I think is his best. And btw, And Then Were None truly is one of the best mysteries ever. Agatha Christie fools me every time. I may sometimes figure out another character’s secret but never the murderer, even if I think I have!

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    1. Amy, I definitely liked The Moonstone enough to try more of Collins even though this one was, as has been mentioned, pretty meh.

      And yeah, I am in AWE of the plotting that went into And Then There Were None. Wow.

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