But then, about 5 or 6 chapters in, all of that was clearly not the point at all anymore, and I got sucked in. A Byronic hero, a bit of swash and buckle, and a plot so tangled I never did figure it out before I was supposed to -- I loved it! Much more so than its predecessor, Jane and the Unpleasantness at Scargrave Manor. That was fun, but this is delightful.
This fictional Jane Austen is presented as a resourceful, bold, and spirited woman of twenty-nine. I should like to be friends with her, very much. There are many footnotes that bring in things from the real Jane Austen's letters or the society she lived in, which makes this book sound dull (footnotes being the thing of college research papers, after all), but it's anything but dull. Even if the main character wasn't supposed to be Jane Austen, I would still have enjoyed this book.
EDIT: I forgot to add my favorite parts! Here they be:
Particularly Good Bits
And so I cross the room to peer out at the unknown, stretching before me like all the days I have yet to live; and can discern nothing beyond my own wavering reflection in the window's glass.
The day broke quite stormy, as though all the seacoast mourned the Captain's passing; and the inmates if Wings cottage lay abed, hugging their dreams close against the rawness of the day.
Full many a midnight thought I have entertained with alacrity, only to reject it over my breakfast chocolate as excessively disordered.
(Originally posted on Hamlette's Soliloquy on Sep. 12, 2012.)
No comments:
Post a Comment
What do you think?
Comments on old posts are always welcome! Posts older than 7 days are on moderation to dissuade spambots, so if your comment doesn't show up right away, don't worry -- it will once I approve it.
(Rudeness and vulgar language will not be tolerated.)